Expectations:
The designer
will conceptualize and develop a personal space of thought that is both
reflective of the designer as well as creative and unique. Aspects
that should be taken into consideration should include:
How is the space used?
How does one interact with the space?
What will be within the space?
How does it reflect the identity of the designer?
Methodology
and materials are open, as hand construction can be just as admirable
as digital construction. Keep in mind the size of the space as well as
the materials that will be used within the making process. Are these
sustainable and green, or do they speak a particular aspect about you?
These must be academically supported within a typed statement that will
be handed in on completion of the project.
Concept:
Space has become equivalent to thought. The established
environment can only be experienced through the mind of the designer. This
designer must dwell inside of his thoughts in order to develop a sense of
identity; therefore, the developed personal space is the mind.
Thought processes involve mental imaging and repetition
of ideas. This concept has been represented through the complex linking and
interlocking that takes place during brief moments of thought. The idea that
the mind of a designer is one’s dwelling space can only infer that one must
experience, collect, and assess information that can be stored for future
endeavors. This space becomes a depository of information, ideas, experiences,
and knowledge.
Further development was considered through the use of
intricate structures that have a sense of organization and dysfunction. The
designer’s space will inevitably become cluttered with ideas and confusion, but
must also maintain a system of structure and navigation. The links between
individual ideas and the repetition of those ideas can lead to new avenues of
exploration. The designer must create this space and dwell within that
established environment.
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| Screenshot 1 from Google SketchUp structure |
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| Screenshot 2 from Google SketchUp structure |
Alston
Noun_Actuality
Verb_Naturalize
Adjective_Metaphysical
The exploration of existence through the perception of the currently existing. Establishment of what is considered actuality through investigation of metaphysical notions. To naturalize to surrounding environment and within created systems. Understanding the importance of the reflectance on metaphysical existence without the ability to define the parameters of actuality is the focus of examination.
The concept of my structure is to utilize both geometric and organic forms in a manner that creates an interesting juxtaposition, while creating something that can be integrated into the surrounding environment. I believe that my structures will react in a very positive way to the surrounding areas, by activating the environment, but also becoming apart of the natural elements. Another element of my structure is that the open shapes of the inner parts of the sign frame the surrounding area. The environment becomes part of my sign and is therefore activated and an integral part of my structure.
In dealing with the realization of my structure through physical development I have decided that I will be able to reach the size that I would like. The predefined settings of our source of output, ponoko.com, will allow me to create at my current intended size. An important aspect of my structure will be the encompassing layers, along with color. I still have not decided on the final color, even though my current thoughts are leaning towards green. I plan to utilize acrylic, felt, and possible others layers within my final maquette. Some sort of metal would add a nice texture into my current combination, but I am particularly interested in some of the lighting effects that are available through ponoko.com. The use of materials such as felt and acrylic are inexpensive options, but metals and/or lights would add more to the overall cost of production.
Examples of my structure in an environment:
